The Signal Relics series investigates chromatic matter as a fragmented perceptual condition shaped through layered ink absorption, material erosion, and atmospheric instability.

 

Constructed on colored rice paper surfaces, the works operate as residual structures in which vertical signals emerge from dense chromatic fields suspended between material presence and energetic dissolution.

 

Rather than functioning as expressive abstractions, the paintings exist as unstable visual artifacts carrying traces of pressure, interruption, and temporal sedimentation.

 

Across the series, intense ultramarine environments, fossilized textures, and luminous internal fractures generate perceptual systems oscillating between archeological relic and atmospheric field.