Paintings

The Black signifies a metaphysical principle: obscure, ancient, and generative. It refers not merely to a color or absence of light, but to a profound conceptual space - one that embodies the invisible, the immaterial, and the pre-ontological. It is aligned with what cannot be directly apprehended or articulated, yet underlies all that exists. The Black functions as a symbolic nexus of origin and return, of mystery and potential. Within this framework, Black is understood not as void, but as plenitude: a space of unknowable density and significance. It evokes that which is beyond the empirical - what the philosopher might call the Real, or the sublime remainder of thought. It resists final definition, shifting with each epistemological advance. Where science once posited emptiness, it now uncovers structure; what was deemed void now teems with quantum activity, dark matter, and speculative presence. This body of work is available as original paintings and downloadable abstract art, offering collectors and curators access to physical or digital formats aligned with their space and intention. This suggests a paradox: the more we attempt to grasp the essence of nothingness, the more it recedes. The Black eludes closure. It is a conceptual horizon - both origin and limit - that provokes a reconsideration of what it means to perceive, to know, and to name. Perhaps what we name as nothing was never absence at all.