The Tachisme / Informel series engages with the legacy of postwar European gestural abstraction. Rather than treating gesture as uncontrolled impulse, the paintings approach it as a structured painterly event in which mark, surface, and chromatic tension operate within a disciplined compositional field.

 

Through layered pigment and dynamic brushwork, the works develop a visual language where spontaneity and control remain in constant negotiation.

The resulting surfaces preserve the immediacy of painterly movement while sustaining a deliberate formal balance.

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In this way, the series situates gestural abstraction not as expression alone, but as a calibrated investigation into rhythm, matter, and perceptual intensity.