Black Field Works

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This body of work is developed using Chinese ink and acrylic on Xuan paper, where the surface acts as an active material rather than a passive support.

The absorbent and unstable nature of the paper allows each gesture to expand, resist, and partially dissolve, creating a tension between control and material response. Large dark fields emerge through layered application, within which minimal interventions appear as concentrated or barely perceptible events.

Across the series, variation is not driven by composition, but by shifts in intensity, distance, and disappearance. The work operates through reduction, where presence is not constructed, but sensed through the smallest possible means.