OBSERVERS

 

​The concept of “universal material” engages a field of interpretation that extends beyond the bounds of conventional philosophical inquiry. It manifests in multidimensional forms—structures that reveal a continuum between natural and cosmic energies. These forces, though often imperceptible, exist in a state of profound symbiosis with the human experience, shaping both physical presence and energetic awareness.

 

Primordial matter—unfathomable in its origin and vast in its influence—transcends the limits of human perception. It governs the spiritual, emotional, and corporeal realms, generating the appearances, rhythms, and balances that define our world. This material is not merely a substance, but a generative principle—an unseen architecture of order and vitality.

 

In my artistic practice, I approach this material balance as both medium and subject. Through concentrated attention and intuitive engagement, I allow these elemental harmonies to emerge onto the canvas. I am compelled by the notion that this ancient, universal substance, in concert with the earthly, possesses a kind of sentience—a capacity for vision, for observation, for maintaining equilibrium. The resulting work may be understood as a continuous act of witnessing: a visual field in which the viewer is both seen and seeing, suspended in a reciprocal gaze.